Images, objects and symbols often form the starting point of my work, becoming a way to examine cultural identity, memory and translation across contemporary life. Working across painting, film and conceptual research, I’m interested in how histories are preserved, adapted and reinterpreted through digital and physical spaces.

A hyper-minimal visual language allows me to focus on subtle shifts in meaning, atmosphere and perception. Drawing from architecture, visual culture and historical iconography, my work reflects on the instability of images today, how they circulate, dissolve and continuously reappear in new forms.